As a postscript to my Christmas music story, here's a good one. I often listen to the news on the radio while I'm in the kitchen. Today, France Inter, the public news station, is playing music instead of broadcasting news because of the strike. I'm not disappointed because it's playing a mix of great stuff: English-language music, French traditional chanson, and salsa. Why are they playing this stuff? Who knows. Wait. Or do I?
Here are the songs in English, to which I have been singing along, loudly. Could they actually have been chosen in reference to the strike? I wonder.
Elvis, Suspicious Minds (We're caught in a trap / I can't walk out / Because I love you too much baby / Why can't you see / What you're doing to me / When you don't believe a word I say? / We can't go on together / With suspicious minds / And we can't build our dreams / On suspicious minds).
Obviously, this describes the tortured relationship between Sarkozy and the strikers. Obviously. And the fact that France can't get out of this vicious cycle without a major effort to combat individualism and rebuild social capital. Well duh!
Next: a jazz version, artist unknown, of U2's Two Shots of Happy, One Shot of Sad (Walked together down a dead end street / We were mixing the bitter with the sweet / Don't try to figure out what we might of had / ... / Under pressure, but not bent out of shape / Surrounded, we always found an escape / ... / Guess I've been greedy, all of my life / Greedy with my children, my lovers, my wife / ... /I'm not complaining, baby I'm glad / You call it a compromise, well what's that / Two shots of happy, one shot of sad).
I think the swipe at Sarkozy's personal life is a bit of a low blow, but there you have it. Still, a fairly accurate description of how Sarko is quite fed up with the unions and but certainly knew that things would come to this.
Followed by: Elvis Costello, Everyday I write the book (Chapter One / We didn't really get along / Chapter Two / I think I fell in love with you / You said you'd stand by me / In the middle of Chapter Three / But you were up to your old tricks / In Chapters Four, Five and Six / And I'm giving you / A longing look / Everyday, everyday, everyday / Everyday I write the book / ... / All your compliments/ And your cutting remarks / Are captured here / In my quotation marks).
This one is particularly interesting for including a journalistic point of view. Mmm hmm. Indeed, could the French have revolted without the fourth estate?
More searing political analysis coming soon. Keep reading, comrades.
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