Exhibition Review: Les Orientales

This coming Saturday, 15 May is the Nuit des Musees across Europe, when dozens of museums will stay open late (many until midnight) and offer free admission. There is a list of the Paris museums participating, and special events on, on this website.

I love museums and they are the main reason I like living in cities; I don't know why I never blog about them. I went to tonnes of museums and studied a bit of art history as a teenager, but it wasn't until I was in grad school that the penny dropped and I realised that an exhibit is no different from an academic article or college student essay: an exhibition has a central argument and it structures its evidence to prove that thesis. Some are more successful than others. With that in mind, I'm going to give out grades for exhibitions I review here.

I was very keen to see the 'Les Orientales' exhibit at the Victor Hugo Museum, celebrating the 1829 publication of Hugo's collected poetry on an 'oriental' theme. Housed on the first floor of Hugo's former home, the small exhibition is spread over several rooms and contains a number of works from artists like Delacroix and Gericault, as well as manuscripts and illustrated books from Hugo himself and contemporary writers like Chateaubriand. If you love Delacroix, like I do, then you'll enjoy seeing some of these lesser-known pieces brought together.

But otherwise, I found the exhibition a bit disappointing. It was very strange that the word 'romanticism' never appeared in the exhibit (although it was used once in the programme). Orientalism itself was never probed as a concept, which would have been intriguing as it meant different things over the nineteenth century, and some again different today. One of the final rooms had a series of odalisque portraits that played on the idea of Eastern women in harems. These were great pieces, but they spanned over 50 years, with no contextualisation or reflection on the difference between a portrait of an Algerian woman in 1830 and one in 1885. I also found, ironically, many of the commentaries to be jargon-filled and inaccessible to most general visitors. Plus, the rooms were small and dimly lit and there seemed to be far too many people working there, so that even though there were probably only twenty other people there at the same time as us, we felt that we were constantly bumping into people.

Tickets to Les Orientales cost, if I remember correctly, 7 euro (I can't find the information anywhere on the website!). The rest of the house, being one of the municipal museums, is free. If you happen to be in Place des Vosges it's worth checking out to see the inside of one of the hotel particuliers on the square. But be warned that the museum presumes that you know Hugo's life, family history and artistic oeuvre very well, and contains very little information for the unacquainted. For example, a room full of family items (clothing, letters, etc) is labelled with their names, but never tells you who they are in relation to Hugo. I suppose I can't complain because it's a free museum, but I know how competitive it is to break into museum work and I've got to believe that someone could do a better presentation with the material here.

Maison de Victor Hugo
6, place des Vosges
75004 Paris
Metro: Saint Paul
Open 10am-6pm, Tuesday to Saturday
Free for the permanent exhibition (house)
Les Orientales exhibition runs until 4 July and costs 7 euro (I think)
Grade: B-. Shows potential and has strong evidence, but lacks structure and context. Needs to show critical engagement with theoretical terms. Presentation could be improved.

What to do on Sundays in Paris

Sundays in Paris are still considered a day of rest, for religious reasons - that is, the French faith and belief in time off work. But if you live with neighbors in close proximity (and especially if you have parquet floors, like most Parisians) you'd better not spend your day off mowing the lawn, catching up on vacuuming, or installing some new shelves - that is, unless you want your neighbors thumping on the ceiling to subtly and oh-so-passive-aggressively point out that they don't like the noise you're making. (Thanks to Mazarine for that anecdote!) Some Parisians have even been forbidden by their neighbors from running their clothes dryers on Sundays.

You can also scratch off that other UK and US Sunday tradition, of reading a fat newspaper filled with cultural supplements, coupons and cartoons. Most French newspapers are relatively thin, and as I type, they're actually on strike. And if you need to do any shopping, you're not having a lazy sleep in - shops that are open on Sunday usually open in the morning (say, 9-1) rather than the afternoon. Exceptions include areas market 'tourist' - this includes the shopping mall in the basement of the Louvre and the 4 Temps, a big mall at the end of Metro line 1. Food shopping after 1pm is usually limited to gas stations and the corner shops, which are relatively pricey and may not have any fresh bread.

My recommendations instead? Church, of course - in French or in English (St Joseph's RCC, St Michael's Anglican, American Church in Paris, etc). MCM and I usually like to eat - heading to the market in the morning, buying supplies, and then cooking in the afternoon. We also usually try to counter the eating by getting out for a nice walk or a bike ride. You can now rent Velibs near pretty much every Parisian park, including the Bois de Boulogne and Vincennes.

Or, and here's my top suggestion, try one of the markets that are open in the afternoon. I like the covered, open-air book market in the bottom of the 15th arrondissement, which is open every weekend and specialises in used and antiquarian books.



Bring cash. Most books are in French although there are some in English. Some of the vendors are very specialised - like antiquarian books on French colonialism - and some carry jumbled bits of everything (Andrew Morton's biography of Monica Lewinsky, anyone? Or the Hachette Guide des Vins 1987?) There are sections dealing with children's books, cookbooks, fine art books, science fiction, and (gulp) erotic cartoons. If you're just looking for a pocket version of any French literary classic, you'll find it here for a euro.

When you're done, there's a little restaurant across the street, Les Tontons, which specialises in tartares, or there's a Poilane bakery. You can also take a nice walk in the Parc Georges Brassens, a pretty modern park that has lots of play areas for kids.

Restaurant Review: Chez Casimir: the best brunch in Paris?

Hello loyal blog readers! I'm on a break from work in Cathedral City, UK, and spending some time with Mon Cher Mari in Paris. I've missed him, and I've missed you all, too.

MCM and I had a joyful reunion at what is perhaps the best brunch spot in Paris. I've mentioned the recent French obsession with le brunch (and if you're a Froggie reading this, you can learn to make brunch US-style here), and their own afternoon invention, le slunch (shudder). Anyway, brunch at Chez Casimir came highly recommended by Francois Simon, the restaurant critic for the Figaroscope, a weekly events listing magazine associated with the Figaro newspaper. We had dinner at Chez Michel, Casimir's sister (brother) restaurant, about 18 months ago, and it was great. Both are in a neighbourhood close to Gare du Nord - which is gentrifying, though not fast enough for my taste (walking there at night is still slightly creepy but the daytime is absolutely fine). However, it's perfect if you're just walking off the Eurostar or RER from the airport and you are hungry.

Casimir's brunch is at the extreme end of casual and it's a self-serve operation. There's a closet-like wine cellar at the back of the small dining room where you choose your own bottle of wine, with prices starting at just 11 euro a bottle. (We'll get some rubbery bracelets with a 'WWOMD' - What would Olivier Magny Do - message for those of you who need a little encouragement and spiritual reinforcement in the sommelier department). MCM and I chose a zesty little Quincy at 19 euro which was a nice match for the seafood.

Once you've got your wine, you start to eat. And eat. This is not a coffee-croissant-OJ kind of brunch. First, there is a salad buffet (marinated mozzarella, gravlax, cucumbers in yoghurt, a smoked fish and potato salad, heaped baskets of crusty bread, round of gooey cheese the size of a small tire) on a round wooden table in the centre of the room, crowned with a mound of butter the size of a stock pot. Plates from the kitchen (no choice) start arriving: two oysters each, then raw scallops in their shells drizzled with a vinaigrette, then a delicious wild mushroom and tarragon omelette dusted with shards of parmesan, then a tiny Staub casserole of brandade de morue (baccalao), then a slightly larger mini casserole of a light veal stew. Still hungry? Well, you could have more of the salads, or there's a dessert buffet: moelleux au chocolat, little caramel puddings, Breton prune cake, financiers, madeleines... oh, and some grapefruit, in case you're watching your weight. (Watching it go up... and up).

What do you pay for this feast? 25 euro per person. For Paris, for this amount and quality of food, that's incredible value for money. I have no idea how their business model works. They're not spending much on decoration (the room is plain, save for a hideous mural in which, alarmingly, one of the figures looks just like Arsene Wenger with a moustache) or service - there were only two people working the room. Best to reserve, and get there early (12.30 was early enough) - both because it will be calmer, and, to be honest, because there's a lot of cured fish on the menu. On that note, you should turn off both your iPhone and your internal Anthony-Bourdain-brunch-food-safety-conscience.

Chez Casimir
6 Rue de Belzunce
75010 Paris
Metro: Gare du Nord or Poisonnieres.
01 48 78 28 80

Food: Tasty and copious. Casimir does dinner, too, of course, but Saturday and Sunday brunch, called the 'Traou Mad', starts late morning and continues until late afternoon.

Atmosphere/decor: Decor is unreconstructed Parisian cafe from yesteryear (with creepy Wenger-as-Bacchus wall art). Browns, ochres, wooden tables, cheap raggedy checked napkins. Atmosphere was completely relaxed and surprisingly un-bobo. It's all about the food, baby. Kid-friendly, provided your kids can sit at a table without screaming and eat raw fish. They have a highchair.

Service: Non-invasive but friendly.

Value for money: Staggeringly good.

What to wear: Very casual, although it is still not the IHOP, so pass on the PJs. I did see a French couple wearing matching Bad people go to hell, good people go to Waikiki Beach black hooded sweatshirts. That's a Parisian first.

Good for: Brunch with fun, food-loving friends. (If you don't have any of those, invite me).

Not good for: Extremely picky eaters - they will eat, but it won't be amazing value without the oysters and the veal.

Handicapped access: One level, but it's a crowded room with tight corners. Phone ahead and ask to be seated in a convenient place.

Au revoir, Paris!?

Big news here: I'm leaving Paris in two months.

After spending a few years playing that fool's game known as searching for an academic job in the humanities, I've done it. I've got a lectureship in the south of England (in the US, this would be called an assistant professorship). I've dealt with job rejection for so long that I'd actually forgotten that getting that job was a possible outcome. I'm still slightly in shock!

This actually happened two weeks ago but right after I had my dad visiting, then my sister visiting, and then a visit from a very nasty stomach virus. Plus, there's been work to be done immediately, designing syllabi to get my courses listed for the autumn semester and making preliminary enquiries about moving. I've been swamped.

I have mixed feelings about all of this. Professionally, it's fabulous. I've finally found what I have been looking for. I'll be taking a huge step up the career ladder. I'll be putting my degrees and talents to work. I'll be moving closer to many friends who I miss dearly. I'll be moving back to an English-speaking country, and in some ways that feels like going back to an even playing field.

But... but what? After ten months of struggle, I feel like I am finally getting the hang of Paris and I have the satisfaction of knowing that I've done it mostly by myself. So where's my prize? It's as if I've been allowed to look but not touch: I've been so consumed with bureacracy, trying to publish and research independently, applying for jobs all over the place, and worrying about money that I haven't been living it up. Now I'm ready to, and it's time to go. It's a bit like climbing a mountain, getting almost to the top, and then being told that you have to descend before you can see the amazing view.

In other words: I'm sad to leave Paris.

There is a small catch, though. We don't know yet if MCM will be joining me or not. He's freelance at the moment and will probably come - although, for his professional prospects, the new city is terrible. But there is a small chance that he is going to get his dream job in Paris. It's all very hush-hush and I'm almost afraid to think about it, as it brings up so much vulnerability and emotion; we just can't take much more drama.

If MCM stays in Paris then we would try to see each other most weekends (there are direct flights), and I would spend much of my (very generous) summer break writing in Paris. It would be tough but it would be temporary, and I'd rather we both have wonderful jobs than he be lonely and miserable in a new city. After all, I know just what that's like. And we've spent time apart before: I calculated that one year when we were both doing a lot of research and family travel, we spent nearly five months apart. We can do it.

There's also the fact that Paris will always be here and I'll always feel, I think, that I have staked my claim: that now, I've got some kind of knowledge of this city that no one can take away from me. (That sounds dangerously like I might break into song...)

So, final point: the fate of the blog. I'd like to continue, but as you can see I'm not able to post as much as I'd like to. We'll see. If I end up spending weekends in Paris there will be many more tales to tell and things to taste, and I'll keep sharing it here.

On yer bike!

Once upon a time the Accidental Parisian lived in a small city in northern Northern Europe and used to zip around town on her trusty little Claud Butler hybrid bicycle (with rattan basket). She battled strong winds off the North Sea, high humidity and helmet hair, but she also benefited from slow, considerate drivers, a good cycle path network and the fact that none of her colleagues were really that fashion-conscious. (Okay, one major exception - Rubber Girl, if you're reading this, forgive me).

Ahh, but Paris is a totally different can of sardines in a light tomato sauce. On the one hand, you have the new, wonderful and exciting Velib network for public bicycle rental. There are hundreds of station dotted around the city and you either buy a annual membership for 29 euro or pay 1 euro per day. It's not perfect; my friend Fifteen says the bikes are very good but heavy for climbing hills, and poor Mazarine can never find a parking space to return a bike in her neighbourhood. The Velib are for adults only, and they don't have child seats. On the whole, Velib has been a huge success and is now being extended to the close Paris suburbs, "la petite couronne" (the little crown around Paris). A Velib station is being installed about a 10 minute walk from my house and there will be one about a 2 minute walk by the end of July. Hooray!

On the other hand, Paris has aggressive drivers and an incomplete cycle network. France has a rather confusing "priorite a droite" rule, meaning that drivers entering from the right have the priority, unless otherwise indicated. This is true even when you are on a main road - the side street on the right has the priority. This is also true in rotaries (roundabouts): people entering the rotary have priority - that means you may have to stop in the middle of the rotary to let people in.

Anyway, I've really wanted to cycle in Paris but have been anxious. MCM is fearless and has been cycling to work for the past few months, so we decided to go out last weekend: I would follow him and he would show me the best routes. We went to the Louvre, which took about an hour each way; approximately 1/3 of our trip was on designated cycle paths, 1/3 on very busy roads and 1/3 on quiet side streets.

How was it? Challenging but great. The cycle paths are wonderful: it is absolute bliss to be pedaling along the banks of the Seine on a spring day. It was also pretty amazing to think, Wow. I am riding my bicycle up the Champs Elysees and around the Arc de Triomphe. We parked in the Tuileries gardens and went for a coffee and browse around the Louvre (we're members so it's a free visit), and it was just a wonderful afternoon out.

I did have one little problem, which is that my basket dislodged itself from the back of my bike as I was headed downhill on the cobblestoned Boulevard Haussman. Not fun. Fortunately, no one was behind me and I was able to retrieve my lock and handbag and pull over. I spotted a dumpster on the side walk, pulled up to it and fished out some broken venetian blinds. Using the Swiss Army knife on my keychain (Christmas present from my Aunt Maria and Uncle Mark circa 2001 - probably the most useful Christmas gift ever!), I cut free a length of string from the blinds and McGuyvered my bike basket back on. Spanish tourists looked on in amazement - who knew Parisiennes were so resourceful, so ghetto?

AP's Tips for Cycling in Paris:

1. If you have not cycled since you were a kid, or you have never cycled in traffic before, the Concorde is not the place to start. Stick to cycle paths or practice in one of the big parks first (like Bois de Boulogne or Bois de Vincennes). Ditto if you are not in good shape - you need to be to accelerate when a traffic light turns green. Cycling is fun, but cycling in traffic is serious business.

2. Stay right but don't ride too close to parked cars (a driver or passenger might open the door without looking and hit you). Watch for cars entering from the right.

3. Be cautious but confident. If you are too hesitant you'll actually confuse drivers. Use hand signals to turn and make them obvious. In traffic, I found that the drivers were actually pretty respectful, or trying to be: a lot of them were doing the "hover and swerve", where they tail you very slowly, waiting for the left-hand lane to become free so that they can pass you quite wide. That's not necessary and it's annoying to have a car following that close behind you, but their intentions are good.

4. Safety: I looked like a moron with my helmet and fluorescent vest, but they're important for riding in traffic. The vest cost me a few euro and it makes me much more visible. It folds up tiny and goes in my purse when I am done. If you're visiting Paris and plan to cycle, bring your helmet from home.

5. You're not allowed to cycle on sidewalks. However, some Paris sidewalks are extremely wide - like Avenue de la Grande Armee, or most of the sidewalks in Neuilly-sur-Seine. If there are very few pedestrians and you cycle slowly, you might be okay. But be respectful and don't whizz past the Neuilly grannies out for their Sunday afternoon stroll.

6. Stay single-file on the cycle paths and stay on the right-hand side. Don't ride 3 or 4 abreast and block all the other cyclists. Yeah, I know it's your vacation and you want to all be together, but be respectful.

7. Don't talk on your phone or listen to music while cycling in traffic. I saw a woman swerving down Boulevard St Germain on a Velib while talking on her iPhone and I thought, Darwin, is this evolution?

8. Don't drink and ride!

And for pedestrians...

1. Stay off the cycle paths! They are usually built next to sidewalks. The sidewalk is for pedestrians and the cycle path is for bicycle. Got it? Granted, there are a few confusing spots - on Boulevard de Rochechouart, the hedges and park benches can make it difficult to see that you are crossing a cycle path.

2. That means keeping your children, tricycles and dogs off the path, too. Above all, do not let little Fido or Fifi wander across the path on a taut leash, unless you want someone to cycle into the leash and somersault through the air, taking man's best friend with them.

Happy cycling, everyone!

Chime!

The past ten days have been surprisingly busy and I've missed my blog. MCM and I had a lovely Easter, complete with lots of chocolate cloches. (Instead of the Easter bunny, French kids learn that huge church bells - cloches - leave Rome on Easter Sunday and fly out over the world, clanging and chiming and dropping chocolates. If only.) I metroed into town on Sunday morning and met Mazarine for Mass in the posh St Germain des Pres neighbourhood. We went to St Sulpice, an 18th century church that has become famous for featuring in the Da Vinci Code. On the side walls there are small signs that say "That silly book is wrong and full of lies and there is absolutely nothing weird about this place, so don't believe it, okay?" (I'm paraphrasing slightly).

St Sulpice is also famous for its enormous organ, and thus the 10.30am Organ Mass seemed like a lovely idea. But I'd forgotten that St Sulpice, though beautiful, is a dark, looming church built of greying stone, the altar weighed down with thick gold candlesticks and heavy ornamentation. Then BAAAAAM BAM BAM BAM BAM BAAAMMM.... the organ. I recalled the delicate negotiations I had last year with the primo uomo organist at the church where MCM and I got married: he really wanted to play the organ through our nuptial mass, and I wanted piano: organ, I argued, wasn't right for a fresh, light, happy occasion in the summer. We ended up having to compromise - organ for processional and recessional, piano for the rest.

"This is like funeral music," Mazarine whispered. And it was, all through the Mass, altogether more Lenten than Paschal. Plus, it's very difficult to sing along to an organ. Especially in Latin, and there was a lot of Latin. Or French. French is not sung the way it is spoken - the endings of words are pronounced (Ha! I thought when I first learned that, So you admit that they are there!) and I'm always suprised by where the singer puts the stress on the words.

One hour and fifteen minutes later we filed out into the Parisian sunshine. "This is the kind of Mass that Catholics are embarrassed to show Protestants," I said to Mazarine. "Really? I've never been to a Catholic Mass that wasn't like that," she replied. Oh, the horror! And people wonder why Mass attendance is down in France; the experience, for me at least, was one of tradition without passion. I usually find Easter joyful and uplifting; this was ponderous and left me feeling a bit empty. That might just be me. Oh well.

We got American tourists (a family from California toting a bag of Pierre Herme goodies, a blonde college student in a pink Lily Pulitzer skirt) to take pictures of us in our Easter dresses in front of the fountains outside St Sulpice. After we strolled down to Cafe Flore, one of the famous "literary" cafes in St Germain. Neither of us had ever been there before - it seemed too touristy, too obvious. We sat outside in the lovely enclosed terrace and, I am amazed to report, their coffee is really, really good. Pricey (10 euro for two coffees), but excellent. Such a famous place could easily scrimp on quality, but they don't. I also got the faintest of sunburns on my exposed collarbone. I felt great.

MCM made a lovely lunch, featuring a roast leg of lamb and gratin dauphinois, followed by a strawberry tart with vanilla pastry cream. Wow, I love my husband. I had thought about choosing a Puisseguin St Emilion (Bordeaux) wine to go with the lamb, but my local wine guy had talked me out of it and told me that I needed a stronger Bordeaux wine - a Medoc. Yikes. I think my instincts had been right on this one. The Medoc was great - heavy, tannic, complex, a bit musty - but overwhelming. It was demanding: drinking this wine and trying to eat at the same time was totally freaking out my tastebuds. It mellowed after it had been open and breathing for a while but it was still too strong for our delicate spring lamb. I drank it anyway (yes, what a sacrifice).

Beyond Rapport Qualite-Prix

I am struggling to find a restaurant for tomorrow night.

Our old friends Miss Mousse and Best Man are visiting and, quite naturally, they'd like to dine out one night at an affordable French restaurant. Easy, you'd think - Paris is heaving with bistros! But where to begin? I've had quite a few bad meals in Paris. When bistros stick to simple, classic dishes*, it's not difficult to tell the good from the bad (mostly determined by the quality of the meat. I am also on a personal crusade against limp frites, having been let down too many times).

As I've noted before, many of the Parisian bistros serving more inventive, exciting food offer three course meals at 31-34 euro per person. These restaurants score very high in what the French call le rapport qualite-prix: the relationship between quality and price, or value for money. (Thanks to Dr Mmm for explaining this to me when I arrived in Paris).

Three courses of fantastic food for 31 euro, in Paris, is certainly great value for money. But what if you just don't want to, or can't, pay the prix, if you don't want to spend 80-100 euro on an evening meal for 2, delicious though it may be? Mazarine and I were discussing how awkward this can be with visitors, too: you want to advise people on where they can have great food, but you can't forget that a meal that costs more than $100 for two is, in most parts of the USA, a very special meal indeed. At the lower end of the price range, the RQP is more elusive. If you're a budget diner who loves to cook, you may feel doubly cheated by a disappointing meal, considering that you could have made it much better yourself.

Of course, we have to be realistic. Paris is a big city and it's expensive. Repeat visitors may also need to adjust their memories for inflation: yes, you may have found a great steak frites for 9 euro the last time you were here, but when was that? 2001? Have prices gone up since then where you live, too? Thought so.

One of the best restaurant bargains in Paris is undoubtedly a couscous, served at one of the many North African Restaurants in Paris. MCM and I recently went to Le Bec Fin, supposedly one of Paris's best, where we ordered Couscous Super Royal for 2 and had more than we could possibly eat, and wine, for 35 euro. Our meal had a variety of barbecued meats (lamb, chicken and spicy merguez sausages), a tomato-based sauce full of vegetables (turnip, zucchini, peppers, carrots) the semolina couscous itself, and garnishes of harissa, golden raisins and chickpeas. Absolutely delicious, an important part of the French culinary and cultural landscape, and highly recommended if you are visiting Paris and dining out for a few nights.

But, in terms of bistro food, the search continues. I'll update you on my results, and I also welcome comments on affordable bistros in Paris and the surrounding suburbs. If you know of a good place with a pleasant atmosphere where you can get hearty, honest bistro food, and where two people can have a filling meal with wine for, say, 60 euro for two, please let me know.

*The Bistro main course classics that you'll find on most bistro menus (served with fries, sauteed potatoes or a salad):
Steaks: une bavette (a chewy cut - from the word "baver," to drool!), une pave, un rumsteak, un onglet, une tartare (that's the raw one - don't knock it till you've tried it!)
Confit de canard
Andouilette, a tripe sausage. (The most revolting and stinky dish in the world, IMHO, but MCM loves it).
Salmon, usually simply broiled, often with an oseille (sorrel) sauce

Restaurant Review: Cafe Constant

MCM and I finally went out to celebrate the completion of Book 1, and we had an obscenely good meal at Cafe Constant, Rue St. Dominique (Ecole Militaire Metro).

Cafe Constant is one of a number of restaurants owned by chef Christian Constant in the very posh 7th arrondissement of Paris. We briefly considered Les Cocottes de Christian Constant on the same street, but opted for the more traditional Cafe. Our little nosy around revealed that Les Cocottes serves cocottes, of course - warming meals served in individual, mini Staub casserole dishes - but has a slick, modern interior, all chrome counters, angular bar stools and lime green trim. We wanted something a bit cozier.

Both restaurants do not take reservations, which is extremely rare for Paris. This is not a city where you just roll up someplace on a Saturday night and enquire about a table; if you come to Paris always, always book ahead, even if you phone up just a few hours beforehand. Heck, I've even phoned about half an hour beforehand and said, in most polite and apologetic tones, that I knew it was terribly late, but was there any chance that they had had a cancellation? And I got a table - the fact is, there probably had been a table free, but many Parisian restaurants are tiny and understaffed, and they appreciate much more knowing in advance. (The universal exception if a restaurant doesn't take reservations: if you are in a big group. I used to work at a restaurant that didn't take reservations, but we sure wanted to know if a group of 8 was going to show up in the middle of Saturday service, because that could throw everything off.)

This is the funny thing about Cafe Constant. Because it's small, serves fantastic food and doesn't take reservations, you must heed the advice of your guidebook (and it's in every guidebook, mine included) and show up early. In Paris, early means before 8pm. MCM and I arrived at 7pm - ravenous after a day of walking, shopping and talking - and it was half full: 2 tables of American families (couple plus 2 teenage kids each), 1 elderly French couple du quartier, 2 American women in their 30s. With the arrival of 6 more Americans (2 couples, 30ish; 2 well-heeled female study abroad students), the downstairs was full, and by 7.45 the small upstairs was, too. The elderly couple were replaced by two men, one of whom I am pretty sure is a French film actor.

Therein lies the problem. If you want to get a table, it means getting there early and being surrounded by American accents. There's nothing wrong with American accents (I usually have one myself!), but the American tourists are surely looking for a Parisian experience, and feel a bit foolish to be surrounded by their compatriots. It's obviously not a rare thing, because one of the waiters spoke near-fluent English and they had an English-language menu chalkboard. MCM and I spoke French the whole time, and I think our neighbours were none the wiser about my origins; in fact, I almost felt I was being observed as Exhibit A: French woman eating in cafe! Let's see how she does it!. The study abroad student next to me even politely asked about my dessert in French. I wanted to give her a medal.

Before I get to the point (the food! the food!), there were a few things that Cafe Constant could improve on. Like the atmosphere, which does the hardworking staff and great food a disservice. The interior was traditional of cheap cafes - red banquettes, bare plastic tables, simple chairs. For a place that serves such beautiful food, a simple white paper tablecloth would be classier. Decor includes the Constant empire's cookbooks propped behind the banquettes and a few naif paintings of Provence; they could - they should - try a bit harder. The lighting is harsh and too bright, too; changing the bulbs would change the entire atmosphere.

The waitstaff were friendly and knowledgeable but run off their feet. That's true in most Parisian restaurants, but this was extreme: a bartender and three waiters for approximately 55 covers. No manager, expediter or busser. There seemed to be a big problem getting food out of the kitchen, and too often the bartender had to hop out from behind the zinc bar and fetch food or clear a plate. This place would be dramatically improved with an expediter, someone stationed at the kitchen and responsible for getting all the food out. It was a bit embarrassing when we got our food long before the American family next to us, even though they ordered first.

Okay, are you ready? Cafe Constant has 6-7 choices for each course. Fish and seafood choices were plentiful; I don't recall a vegetarian option. Entrees (starters/appetisers) were 11 euro; plats (main courses) were 15 euro, and desserts were 7 euro. There is no obligation to have 3 courses, but the servings are sized so that you can comfortably eat 3, so you might leave a bit hungry if you don't. Most places in Paris that serve creative, solid food in a casual atmosphere require that you order 3 courses and charge 31-34 euro, so this is in line. There were lots of wines available by the glass, which I like, as MCM and I are increasingly interested in pairing wines well and it's often hard to find a bottle to match ("A light red again, cheri?"). They also offer house wines by the pitcher or glass, which is a great value option. Some restaurants with comparable food prices only have wine by the bottle, usually in the 25+ euro range.

I started with foie gras with toast and a little salad; solid and good quality, although I would have really liked a little tangy jam or compote on the side. MCM had an amazing dish: three oysters (raw) topped with a salmon tartare - raw salmon diced with, I'm guessing, shallot and lemon. It was incredible: so fresh and zingy, a true appetiser in the sense that it whet the appetite and woke up the taste buds. We each had a glass of Quincy, a light, fruity sauvignon blanc-based wine from the Loire. It was a bit too citrusy for my starter but still enjoyable.

Then the mains. Oh wow. We couldn't decide between the lamb and the bar (sea bass) so we ordered one of each. We asked the bartender for wine recommendations and he assumed, unusually, that I was having the meat. "Do you like Bordeaux?" Yes, I said. He suggested a Montagne St Emilion, a deep, velvety, complex red wine. MCM was offered a very pleasant, golden Sancerre, which picked up the sweetness in the sea bass, which was served with truffle oil and a sweet potato puree. The sea bass was lovely - light, refined, complex but not overpowering. A bit small, but a fish option usually is.

But the lamb! Wow. I have no idea what they did to it; it was slices of a thick cut, served just pink as requested, with white beans and a thyme sauce. It was fantastic. It was earthy and rich, yet delicate; perfect for the season, when the sun has come out and we are dreaming of spring but there is still a chill in the air.
I wanted to lick my plate.

Dessert was fine - correct, as the French would say. I had profiteroles, two huge pastry puffs filled with vanilla ice cream and topped with an indecent amount of chocolate sauce, which the waiter poured for me from a little pitcher. MCM had the comparatively dainty chocolate quenelles, little mousse spoonfuls in a sauce.

As MCM noted as we left, walking back to the metro past Les Cocottes (now heaving with people), a place that is so popular with tourists could slack off on the food, but they didn't. All in all, a fantastic celebration meal. It was cheaper than we had expected - in part, I realised after we had left, because they had forgotten to add on two glasses of wine. See what I mean about needing more staff? I don't feel too bad, because we'll be back.

Cafe Constant
Food: Delicious.
Atmosphere/decor: Disappointing.
Service: A+ for effort, B- for execution.
Value for money: Very good, given the quality of the food. Extra credit for the affordable wine options. Count on 30-40 euro per person.
What to wear: casual or smart casual. MCM and I both wore "dressy" jeans.
Good for: small groups of friends, people who love food, people who want updated takes on French classics.
Not good for: vegetarians, little kids, people with enormous appetites or people who have trouble squeezing into banquettes.
Handicapped access: Toilets are up a narrow flight of stairs.

Choose my own adventure!

Today marks 6 months that I have been living in France. Incidentally, it also marks 6 months of living without a television, but that's for another post.

MCM asked me this morning if we had any weekend plans and it dawned on me that, for the first time in months, we don't have any. We realised that this means we might do what is known as "having fun." For the past few years we've been operating under the general principle that we are not allowed to play and have fun until we have finished our homework (which has been, variously, finishing PhDs, finishing books, finishing job applications, finishing grant applications...). We have been surreptitiously sneaking bits of fun (see last Friday night), but we usually feel guilty about it. Where has this strategy left us? Down and out, in Paris, at home. Oh, and the books aren't finished, either.

So, dear readers, smack some sense into me. What would you like to do if you were in Paris this weekend?